In October 1810, a horse named Madison (likely in honor of President James Madison), won first place in a race held at the New-Market racecourse in Petersburg, Va. Its owner, Revolutionary War veteran Burwell Bassett Wilkes (1757-1815) of Brunswick County, Va., received a $400 cash prize for the win. Although Wilkes, who had turned to farming and breeding in the decades following the war, had several prized racehorses, this victory was certainly his greatest equestrian triumph. To mark the event, Wilkes converted his stakes into a monumental and unparalleled piece of early Virginian silver holloware. Known as the Madison Horse Racing Trophy, it descended through five generations of the Wilkes family before recently coming to The Colonial Williamsburg Foundations esteemed silver collection. Following more than 200 years of careful preservation in the family of its original owner, Colonial Williamsburg is honored to become the permanent steward of this important and monumental example of early Virginia silversmithing, said Ronald L. Hurst, the foundations senior vice president for education and historic resources. Grand in stature, the Madison trophy stands 13.25 inches high and expands to 10.25 inches between its lip and its handle. Made and marked by Johnson & Reat (1804-15) of Richmond, Va., the trophy is similar in form to a cream pot but on a majestic scale. Its tall, helmet-shaped body is of swollen, rectangular cross-section and has two bands at its mid-point. While the top one is plain and convex, the lower band is milled and carries an undulating grapevine motif. The right side of the trophy bears an engraved inscription, while the other carries an engraved racecourse scene replete with an American flag at the finish line, centered around a cast appliqu of two galloping horses and their jockeys running neck and neck, with Madison in the lead. The body flows into a very narrow neck set above a stepped, rectangular foot with a strip of the same grapevine banding at the bottom. Its pouring lip is edged with an applied gadrooned band that ends in an even higher three-dimensional horses head crest. Made of hollow repouss construction, the horse head details are applied, chased and engraved. The Madison Trophy is colossal, a work of silversmithing genius, and jaw-dropping to see. It will instantly grab and hold your attention, said Erik Goldstein, senior curator of mechanical arts, metals and numismatics. Nothing like it exists in the world of early 19th-century, Virginia-made silver, and it is unique in the collections of Colonial Williamsburg for many reasons. Wilkes, being low and weak of body, composed his estate plan in late 1814; he passed away the following year at the age of 57. Described in his will as a silver Cupp won by Madison, the trophy went to his daughter, Mary Polly Wilkes, who saw fit to scratch variations of her initials into the underside of the foot. It seems the formal inscription was added years later and included the erroneous date, Spring, 1811, as shown by contemporary newspaper accounts. The trophy has been preserved in Virginia by Burwell Wilkes descendants since it was made. The Madison Trophy was acquired through The Friends of Colonial Williamsburg Collections Fund, The Joseph H. and June S. Hennage Fund, Mark S. Farnsworth, and a partial gift of the Family of Randolph Madison Jr. It is currently on view in the Chesapeake section of A Rich and Varied Culture: The Material World of the Early South located in the Nancy N. and Colin G. Campbell Gallery of the DeWitt Wallace Decorative Arts Museum, one of the Art Museums of Colonial Williamsburg. Additional information about the Art Museums and Colonial Williamsburg as well as tickets are available online at www.colonialwilliamsburg.org or by calling 855-296-6627.