Opening at The Metropolitan Museum of Art on April 21, 2025, Sargent and Paris will explore the early career of John Singer Sargent (born 1856, Florence; died 1925, London), from his arrival in Paris in 1874 as a talented 18-year-old art student through the mid-1880s, when his infamous portrait Madame X was a scandalous success at the Paris Salon. Madame X (Madame Pierre Gautreau) was done 188384 and is an oil on canvas belonging to The Metropolitan Museum of Art, New York, Arthur Hoppock Hearn Fund, 1916. Featuring a substantial collection of paintings, watercolors, and drawings, the exhibition will also include a select group of portraits by Sargents contemporaries. The exhibition is the largest international exhibition of Sargents work since 1998 and the first ever monographic exhibition of Sargents art in France. The exhibition is made possible by The Marguerite and Frank A. Cosgrove Jr. Fund. Additional support is provided by The Sam and Janet Salz Trust, Gregory Annenberg Weingarten, GRoW @ Annenberg, Angela A. Chao and Jim Breyer, and Trevor and Alexis Traina. Sargent and Paris is organized by The Metropolitan Museum of Art, New York, and the Muse dOrsay, Paris. This magnificent exhibition will shed new light on a transformative period in the life and career of one of Americas most important painters, said Max Hollein, Marina Kellen French Director andChief Executive Officer. By situating Sargents work within the context of the city that formed and inspired him, Sargent and Paris will illuminate this influential artists meteoric rise, providing new insights into his unique talent and skill in capturing the vibrant society he inhabited. Sargents career was indelibly shaped by the time he spent in Paris. Over the course of one remarkable decade, he created the boldest and most daring paintings of his oeuvre. Sargent and Paris will showcase these visually stunning and ambitious works, shedding new light on his distinctive artistic vision. We are thrilled to partner with the Muse dOrsay to reunite this collection of great works in New York and Paris, said Stephanie L. Herdrich, Alice Pratt Brown Curator of American Painting and Drawings at The Met. Sargent and Paris opens with the 18-year-old Sargents arrival in Paris in 1874 to pursue his ambition to become an artist. The precocious drawings and sketches that impressed his fellow students in the atelier will be featured along with his evocative paintings of the French capital. Across the decade that followed, Sargent was immersed in a cosmopolitan circle of artists, writers, and patrons, as he navigated a successful path through the French exhibition system, achieving acclaim and awards. This formative decade culminated with the portrait he later described as the best thing Ive done, the infamous Madame X. Over the course of this pivotal period, Sargent achieved increasing recognition with his bold, ambitious portraits and genre scenes. The style for which he is now renowned was cultivated through in-depth study of the great art of the past and present, deftly adapted for the colorful, high-octane Parisian society in which he had become resident. As a seasoned traveler from a young age, Sargent also found subjects through excursions in France, Italy, the Netherlands, Spain, and North Africa. Sargent soon excelled at creating flattering, if provocative, portraits that gratified his patrons and their desire for social status. Sargent and Paris will examine the enduring fascination with society and celebrity that inspired the artist to create the now iconic Madame X. The exhibition will look in depth at the portrait, its creation, and the ensuing scandal, and for the first time ever, Sargent and Paris will reunite Madame X with its numerous preparatory drawings and paintings. A nearby gallery will display portraits of Parisiennes by the artists who inspired Sargent and with whom he competed for commissions and recognition, including his teachers Carolus-Duran and Lon Bonnat and artistic role models such as douard Manet. The exhibition will present a nuanced understanding of the painting at the heart of a scandal that is as infamous now as it was in 1884 along with an appreciation for the originality and brilliance of Sargents art, underpinning the more sensational aspects of artistic society in 1880s Paris. Fully illustrated catalogues in English and French, with contributions from the exhibitions curators and other leading scholars, will accompany the exhibition. The Met will offer a variety of related art and educational programs, including a MetLiveArts event, to be announced at a later date. Sargent and Paris will be featured on The Mets website and Muse dOrsay website as well as on social media. To learn more, visit www.metmuseum.org.