The Palmer Museum of Art at Penn State is pleased to announce The Wit and Whimsy of Lucille Corcos, an exhibition featuring the playful work of mid-20th-century artist and prolific illustrator Lucille Corcos (190873). Organized by the Palmer Museum, the exhibition is the first devoted to Corcos in more than 22 years and her first solo museum exhibition ever. This vibrant exhibition shines the light on a little studied, but influential, figure in the development of the modernist primitivist tradition in American art, said Erin M. Coe, director of the Palmer Museum of Art. It provides a rare opportunity to see a broad range of works by an American woman artist who should be much better known. Lucille Corcos was born and raised in New York City and studied at the Art Students League in the late 1920s. Following her breakthrough cover for the January 1931 issue of Vanity Fair, her work became highly sought after by well-known magazines of the day, including Fortune, Life, and Vogue. In 1941, she and her family moved to upstate New York. She continued to excel in commercial illustration work and exhibited regularly at art galleries and museums, including participating almost annually in group shows at the Whitney Museum of American Art in the years between 1936 and 1954. The Wit and Whimsy of Lucille Corcos examines three pivotal decades of Corcoss career through more than two dozen of her most significant tempera and watercolor paintings. Her small-scale, almost miniature, paintings in a semi-naive style were lauded for their exactness in detail, multitude of figures, and unique aerial perspective. Corcos pioneered a distinctive cutaway technique that revealed the interiors of buildings, as if granting the observer the ability to see clear through solid walls. The exhibition brings together works recently acquired by the Palmer Museum and loans from several museums and private collections. Lucille Corcos, both in her life and in her work, had a flair for navigating different milieus, whether it was career ambitions and domestic demands or big-city spectacles and small-town gatherings, said Adam Thomas, curator of American art at the Palmer Museum. Her brightly colored and densely packed scenes often seem to straddle the line between exuberant celebrations and mischievous send-ups of social situations. The exhibition will be on view at the Palmer Museum of Art through Sunday, May 9. Free timed tickets can be reserved through the www.palmermuseum.psu.edu website to visit Wednesday through Friday, 11 a.m. to 5 p.m.; Saturday, 10 a.m. to 5 p.m.; and Sunday, noon to 5 p.m. The museum at the Pennsylvania State University in State College is closed Mondays, Tuesdays, and some holidays. For more information on the Palmer Museum of Art, visit www.palmermuseum.psu.edu.